Scolding the Art World for Showcasing ‘Conspiracy Theories,’ The Nation Doubles Down on Its Defense of the Official 9/11 Narrative
Last week, I came across something I didn’t think I would ever see. But in hindsight, it shouldn’t have surprised me: one of the country’s leading left publications, The Nation, rebuking New York art museums and galleries for showcasing critical perspectives on official narratives of major events — or what we’ve come to know as “conspiracy theories” ever since the media’s embrace of the CIA campaign in the 1960s to discredit critics of the Warren Commission.
The article, “Conspiracy Theories Are Not Entertainment,” takes aim mainly at two exhibitions that opened in September: “Everything Is Connected: Art and Conspiracy,” on display at the Met Breuer until January 6, 2019, and Fredric Riskin’s “9/11: The Collapse of Conscience,” which ran from September 11 to October 13 at the Ronald Feldman Gallery in Soho.
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